Tag Archives: Maps

Ben Willers on Visualising Data

As I mentioned Saturday, I’m a bit behind on the posts at the moment. Last week was action packed, but today is the first day of a self directed study week so I’m in the middle of making a to-do list – it’s pretty long!

Last Tuesday Ben Willers, an ex-Lincoln student visited to talk data visualisation. I visited his MA show back in September so was familiar with his work but as always, it’s great to hear more about the work from the designer themselves!

Ben gave us a background about himself and his time on the MA course, taking us through a series of data visualisations that he produced in that time. Although some people might not recognise graphs as amazing pieces of design, over the course of this project I have grown to appreciate the detailing used when producing data visualisations. For example, Ben’s use of opacity and layering in the visualisation of his sleep pattern data (on the screen, above) allows him to use data from single nights to create week charts and data from the week charts to produce an overall chart. I think this really makes the larger pie chart effective – you can see the solid section and the faded sections clearly.

Ben talked us through a circular piece in which he mapped his life. This graph incorporated a lot of data, from his geographical location and education to his mood and hours spent working at Tesco. In this graph Ben had mapped a lot of data, but it was very simple and clear which made it very easy to cross-reference and compare data e.g. how many hours he spent working at Tesco with his mood.

Ben also showed us some commissioned and competition work he had produced and told us about the feedback he had received from someone saying he had done his graph wrong. I don’t really have a head for numbers but think I understood it!

Thanks to Ben for returning to Lincoln to talk to us! If you haven’t already, check out his website for more data visualisation!

Prior to the session, I had drawn quite a few graphs as practice:

For the session, Chris asked us to produce 3 types of graphs: quantitative, qualitative and ordinal. If I’m honest, I was a bit confused by which was which to begin with but after learning one it was a matter of using common sense and elimination to determine the other two.

Beth looking at work by Lucy, Stuart, Chris and Tom

Work by Sunjay, Jack, Sam and myself.

You can see more work here on Discourse, the course blog!

My visualisations this week were themed on the different materials inside my wardrobe, where I spent my time in my house and the tea vs coffee debate in England and Wales.

For the qualitative visualisation, I chose to map the contents of my wardrobe to do something a bit different to what I thought everyone else would do (maps of towns, countries etc):

I used materials as my categories and shaded the different items in different colours and patterns to help show what my wardrobe is made from.

I had also done a similar map for the contents of my fridge, but thought that my wardrobe map was more interesting…

 

For the ordinal graph I decided to map my movement in my house for one day:

I drew a continuous line to symbolise my path and the more time that I spent in the place, the denser the colour. So as you can see, I spent most of my day here:

In my room, doing work at my desk of course!

The last graph/map I produced was a quantitative map about rivalry between tea and coffee drinkers in England and Wales:

Chris put me on the spot a bit in class when he asked me where I got my data from, but I was honest and said I’d made it up – it’s more of a stereotypical view than solid data. Again, this was a hand drawn map but Chris and Ben said they thought it worked for the subject and liked my teacup/mug details:

I was a bit worried it looked too plain to begin with, but I’m glad I didn’t over complicate it.

I know I keep saying it but I just want to produce something a bit different to the vectorised work the majority are producing(not saying there is anything wrong with it!). I like handmade and I think that it helps to add interest and make people look, rather than think ‘oh it was just made on the computer’. I got to carry on my petition against vector visualisation on Wednesday at the Inter-Year design challenge and our handmade approach sparked a lot of interest, with a bit of a crowd to see what we was up to!

Now it’s a week of self directed study, then 2 weeks of easter, another week of self directed study and one last pin up week before finally the deadline and end of 2nd year! Eeeek – very scary! I’ve got 4 weeks to produce 2 A1 graphs for this module, 1 with my own data and 1 with data provided for us (excel spreadsheets about energy). I’m going to try and carry on with my handmade style so we’ll see what happens!

 

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Filed under BA (Hons) Graphic Design, Graphic Design, Illustration, University, University of Lincoln

J’adore… Raquel Quevedo

Raquel’s quirky origami business card caught my eye…

Who doesn’t love dot-to-dots?

I really like how the message isn’t revealed straight away and also how the words are connected even though they’re on different lines! Just think this is a really unique and memorable business card which I would be very happy to own one of! Cute, interactive and memorable!

Aside from liking this because 26 is my birthday number, numbers formed by stars and asterisks are beautiful!

I just really like the use of the pattern above :) Makes an interesting flyer… I’m imagining a postcard style flyer!

I really like the Brochure design for Herbarium Classic Tea and the packaging is quite nice too…

I’m not 100% what these paper bags are about…

… but they are a lovely touch – I love the whole brown paper bags over alcohol bottles – so American :)

This is such a great wall piece for a Restaurant/bar..

So great! Reminds me of a project I did back at college, but Raquel’s is a lot better of course! The lighting effect/shadows give the contour lines great impact!

View Raquel’s other work here on her website – lots of other interesting bits and bobs :)

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Filed under Graphic Design, J'adore, Packaging, Typography

Typographic CD Design Cont…

My CD Design has really developed since the last post; I’m almost finished now!

I have mainly been working on the front and back of the fold out poster and aligning the inlay image with the CD image. This is because I have chosen to use a compass as the main image on the CD face and then match it up on the inlay tray. Hopefully the printer won’t affect the alignment, but I have a feeling it will, even after my constant measuring to get everything to match up!

The inside of the poster looked like this last time:

and then I decided I didn’t like the childish bright colours so changed it to match the rest of the minimal greyscale colours:

and THEN I decided the layout was too confusing and not organised enough so I re-arranged it all:

I realise some parts look really faint, but they look different when printed out

I based it around this picture of contours:

I looked at using a compass image for on my CDs and liked this one inparticular because it is different to normal compass images:

I put it in Illustrator and live traced it, but it didn’t come out as clean as I wanted it to so then I constructed it myself using shapes and lines:

I have tested out different colour combinations e.g. light design on dark background, dark design on light background etc and have decided that I will use a white background and then match the design colour to the 3 shades of grey that I am using for the spines of the CDs (Adante - light grey, Moderato - medium grey, Allegro – dark grey)

    

I have also used Illustrator to create some map key symbols to add to the map feeling. I have used them on the back cover to highlight the production and design credits etc and have also used them like they would be displayed on a map (randomly) on the inside of the poster. I selected them from this map key:

I looked at other map symbols but did not want to use any which suggested too much human interference as my map is more a snowy environment so won’t have a lot of  human settlement features. I chose to use the cave, hills, swamp, tower/fortress and windmill symbols.

I used these edited map symbols to add character to my poster and make it seem more map like.

Here are the final layouts for the front side of the poster, which include the front cover(bottom right), middle pages( top left and right) and back cover (bottom left) of the booklet:

CD1:

CD2:

CD3:

Close up of front cover CD1 (below):

Middle pages of booklet CD1 (below):

I’m having a bit of trouble with the alignment when printing the back cover and inlay back to back and stuff… as I discovered when I printed it out on card yesterday thinking it would be my final… it was ok there are a couple of tweaks I want to do to make them perfect though!

Here are my final designs for the back covers… which I am going to tweak and then re-print, again!

CD1:

CD3:

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Typographic CD Design

This is another project(like book design) which is coming to a close now, with only 2 weeks left until the deadline!

With it being our first project when we got back into the 2nd year of our course we all have struggled with this project really, as its coming to the point now where we are running around like headless chickens – we will learn, sometime in the future!

Basically, the brief is to design 3 whole CDs; front cover, back cover, booklet, CD, spines – EVEYTHING! Our tutor set us classical music because he knew that none of us were really into classical music so we could do a project that we didn’t know anything about. He gave us Chopin, Mendelssohn and Mozart to choose between and then we were off into the world of CD design… mainly focusing on the typography. I listened to works from all 3 and chose Mozart because I liked his work the best.

My mind spluttered like a car that has ran out of petrol. Eurgh. Where to start? Well, we had to avoid all the cliche images associated with classical music e.g. flowers, music notes, instruments, the composer, so that helped eliminate some ideas. I listened to some previews of the music to see what it reminded me of, if anything and I used watercolour paints to draw strokes in reflection to the music. I thought about using these with black ink line drawings over the top like work by Natalia Grosner and Baiba Ladiga.

Natalia Grosner (above)

Baiba Ladiga (above)

My watercolour efforts – not as elegant unfortuantly, I am NEW to watercolour (only the second time I have used them) I scanned these in at 500% to get good detail!

After a discussion with my tutor, who saw some of the painting work to be like contours of mountains on a map, I then changed my mind and focused on producing a more typography based design on the style of maps.

I discussed the new idea with my fellow Graphic Design student Luis, and he suggested a more subtle style using white and shades of grey instead of bright, childish colours.

This is the map that is kind of inspiration, found here.

THEN it developed further – I had a brainwave! Luis (now on the foundation course) had been a second year on the National Diploma last year and for one of his projects he had cut some letters (in helvetica of course!) from foam and covered them in white emulsion paint to get a dripping effect. I thought this would be a good way to create my mountain ranges on white paper, and then I could photograph them to get the grey shadows I wanted!

The first attempt didn’t really go how I planned, I left the paint to dry and hoped it would crack a bit – but it didn’t turn out the way I wanted. So I tried again, this time taking my pictures while the paint was wet. I got some good shots, but wasn’t totally happy with them because there was so much grey:

….so I tried again! And this time I used a bit of photoshop, I like the result:

I’ve also been working on the inside booklet, which I have decided to make a fold-out poster of a contour map. Here is the first version, but I need to sort out the font size, colour and create some kind of key so that reading the passage in order is easy to do:

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J’adore… Mark Andrew Webber

It was only June when I had my first attempt at linocutting, a medium invented by the Die Brucke artists whom I studied for my final major project of year 1 of my BTEC course. I really struggled. I know practice makes perfect etc and I probably didn’t put in as much effort as I needed to BUT as I am preparing myself to go back to college in September (I am SO looking forward to it), one challenge is prominent in my mind; Printmaking.

Last year we did the 3D Award as an extra bonus, and this year we are tackling printmaking. I love the idea, the process and mostly the outcomes but honestly I am so shocking at linocutting! I have so much respect for anyone who linocuts, and Mark Andrew Webber certainly deserves A LOT of my respect!

This man has linocut typographical maps of Paris, London, Amsterdam and New York. They are all amazingly beautiful!

London:

As with all linocuts, the design must be back-to-front for it to print correctly – as if linocutting wasn’t hard enough already! Haha

Just look how amazing the letterforms look – almost perfect! Also, can you spot Harrods? Clue: It’s even written in the original Harrod’s typeface!

This is the final print and I love how the centre has been printed in red ink :)

The Paris map has to be my favourite though…

It’s all written in French, took Webber 2 months to complete working non-stop (such dedication!), is 1.8 metres by 1.5 metres(aka BIG) and !!!!!!!!!!!!!!!! I have actually no word worthy to describe it, I’m speechless!

He has expressed some difficulty in being able to get it printed(due to the massive size), but recently found a printer, YAY! 
With limited stock of 300, Webber’s map of Amsterdam is currently selling on his website  for £100 + P&P which for a student is obviously a lot of money… but I would actually LOVE/ADORE a print of the Paris map when he finally prints some(Anyone feeling generous enough to buy me/donate a print – it will be recieved with MUCH delight and are VERY welcome!) . The only problem is, where would I put it? If I owned a house I would put it on display for everyone to see the beauty!

Whilst browsing through the rest of his website I came across some other work he did for The Guardian newspaper which I think I am drawn to because of the shiny surface of the lino after some red ink had been applied:

But then, the print is nice too! Look at the crispness of that massive lowercase g!

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Filed under J'adore, Typography