Tag Archives: Printing

Leeds Print Festival 2012: Day 2

For Day 2, Jack and I were joined by two familiar faces; Helen and Danielle!

We managed to get really good seats, but consequently was sat next to this guy who kept telling jokes and pulling funny faces! Oh Chris – we can’t take you anywhere!

On our seats we found some goodies:

The little pack includes a LPS 2012 poster style programme, a ticket, a lithograph letter from Generation Press (I got t for Tasha but other letters were available to spell Oil & Water collectively) and a newspaper from Anthony Burrill!

I wrote 21 pages of notes from the 3 talks, so I’ve tried to condense it a bit.

First up… Generation Press:

I was not aware of Generation Press before but I’m really glad I was able to learn about them because their story is lovely and their work really reflects their passion.

Generation Press is a printing company which has passed through 4 generations of a family. When Paul, who was accompanied by Anand (a recent graduate from Leeds College of Art), took over Hewitt & Sons he went against the one piece of advice his father gave him; don’t change the name. Generation Press was born! He explained that the reason Generation Press works so well is because of it’s structure – like a chain where everyone works together rather than having superiors etc. With the experienced printers from Hewitt & Sons continuing, Generation Press are able to produce the best print in the most environmental and ethical way.

You can tell that these guys really love print and have produced some great print jobs using a range of striking finishes like colour edging:

Paul says that it is the finishes which gets work noticed and told us an anecdote to prove it… Generation Press printed coffee company Has Bean’s business cards but the coffee guys didn’t understand why GP were getting so excited about foil blocking and embossing (I have had this reaction from my non-Graphic Designer friends many times before). One of the bosses was on a business trip to Singapore and stayed in a hotel with the tradition of leaving a business card in a bowl in the reception. The receptionist told Has Bean’s boss that his was the most beautiful she had seen and that she had never spent so long looking at a business card. Just proves that it’s all about the details when it comes to making print stand out!

What make a great designer according to Paul? ‘One that engages in the process of printing! Viva la printing!’

Next up was illustrative typographer, Si Scott:

I was already a fan of Si’s work, so was looking forward to hearing from the man behind it. The first thing that struck me was how incredibly humble he is. He mentioned several times that he didn’t think his work was amazing, that there was a lot of things he would change and he was never 100% happy with anything. He has designed for a lot of big brands including Selfridges, Tiffanys, Madonna, Coca Cola so could have boasted for the whole hour of the talk, yet he remained very down to earth and a genuinely lovely bloke – he says he loves doing the work but isn’t interested in the industry. At college (and since) he never copied from books like his peers, but tried to do his own thing which I think makes his work very recognisable and unique.

His work is usually just black and white, but doesn’t need colour due to the amount of detail. Hearts and animals are a big theme, along with music quotes from bands such as Joy Division – ‘Love will tear us apart’

He told us some interesting and funny little anecdotes:
He likes to work with graph paper and ink rather than computers and once spent 3 days on Photoshop cutting out sections for a poster before a friend pointed out he could have just used the magic wand tool!

He’s been working for himself for 6 years now, in which time he hasn’t had a holiday. He went to New York for a stag do and spent all day in meetings, catching up with the stags in the evening. He is a workaholic!

He likes doing charity work to help and because they usually give him a lot of creative freedom. He always tries to give people more than what they asked for, for example… The 100 Project asked him to design a print for them to auction. Instead of just drawing something, he made a 3D paper butterfly and framed it in a butterfly specimen frame (below)- how lovely, right? (Attention to details again!)

I think other than his work and obvious passion, the best thing about Si is that he doesn’t take himself too seriously – a quality that makes him interesting to listen to and seem like someone who would be a great laugh as a mate.

And to finish, Anthony Burrill – who has a reputation for being ‘the nicest man in Graphic Design’ even though he says he is not strictly a graphic designer:

Anthony Burrill’s typographic slogan posters have become iconic and appear on the walls of graphic designer’s and non-creatives alike. He made us all laugh when he admitted he occasionally googles himself and collects images of his ‘Work hard & be nice to people’ poster being displayed in people’s lives. It’s really interesting to see that the poster appears in all kinds of places around the world (and even as a tattoo on a Californian lady) because I had never thought about that before… your one piece of design could be on the wall of a studio in London or in a toilet in Singapore.

 

Even our Prime Minister is posing next to Anthony’s poster!

The ‘Work hard and be nice to people’ poster was an edition of 300 printed in Anthony’s countryside retreat of Rye by Adams – a family run printers. Anthony explained the phrase was overheard when in the queue of a supermarket; an old lady was talking to a checkout assistant when she said that the secret of life was to work hard and be nice to people. I wonder what she would say if she knew about the poster?

The rest of Anthony’s work has a very psychedelic and retro feel to it, using a lot of rainbow bright colours and shapes. Watching his slideshow, I felt like I had been transported back to the 70′s (even though I wasn’t alive then) yet his work is still contemporary at the same time – it’s quite hard to describe really! But just watch this:

I actually felt hypnotised!

I looked at Anthony’s work for my limited edition poster research and my favourite piece  has to be the ‘Oil and Water do not mix’ posters which were a collaboration with Happiness Brussels. Not only is it a striking poster, but also has a clever message, uses part of the problem in the production and aims to make a difference.

Watch the process for a better understanding:

For me, that’s what graphic design is about – communication and making a difference.

The conclusion?

Courtesy of Generation Press.

I had such a great weekend and left feeling so inspired. I can’t wait for LPF 2013!

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Filed under Graphic Design, Me, Printmaking, Typography

J’adore… LetterMpress App for Ipad

Graphic design is often criticised nowadays for being too digital. In the early days everything was done by hand, then progressing onto printing presses and machinery and finally onto the digital age of today.

LetterMpress, created by John Bonadies, is an ipad app which allows the experience of ‘old school’ printing without the mess(and bill for all of the equipment!). I for one am a big fan of silk screen printing, linocutting and wooden type so when I saw this I just thought ‘Oooooooh!’:

Of course, it’s not going to give you the same effect as if it was done with the real equipment and it’s only for a bit of fun. For people like me who don’t have a press readily available to use, this is the next best thing… well, if I had an Ipad haha I’m still really excited about this app though!

Originally creator Bonadies was aiming for $15,000 of donations from backers to get the project off the ground but the total raised was infact nearly triple: $39,495!

I know a few of my classmates at Lincoln would LOVE this app because there were a group of us getting excited at the prospect of doing some ‘proper printing’ in second year so hopefully someone will buy an ipad and buy the app and let me use it before that time comes in September… :)

You can ‘Like’ LetterMpress’ page on facebook to keep up with developments – I have :)

If you need to feed your lust ;) for printing right now, watch this brilliant instructional video by Naomie Ross:

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Filed under Cool Stuff, Graphic Design, J'adore, Printmaking, Typography

Going to Print…

Printing my zines wasn’t as smooth as I hoped it would be…

You remember that lovely paper I told you about in my last post? Well I couldn’t use it because it wasn’t actually A4 – It’s a weird size; A4 length but not width! So I was pretty angry about that!!

And I nearly printed my whole batch of zines with one of the wrong pages in place….

… it was a close call! Thankyou to Dani who made me realise my mistake just in time!

After all the stress I managed to print everything out :)

And then began the trimming….

… it took actually FOREVER! But it was worth it when I had 5 zines all cut out and folded:

Next came the binding! I used to love book binding at college so it was nice to re-visit an old skill :)

Just went for a simple stitch…

… and next up is the front & back covers – the difficult part!

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Filed under BA (Hons) Graphic Design, Book Making, Graphic Design, Illustration, Typography, University, University of Lincoln

Getting My Zine On

… a.k.a getting in the Zine mood!

I wish I could get paid to blog but I don’t think it’s really a job is it? Nevermind :)

Working on the most confusing part of the whole Zine process right now – Imposition/pagination! Scary words right there but put simply, page order – a lot harder than you think! I’ve made it a bit harder for myself too because my Zine is A6 size – A5 size open as a double spread. The majority of people in my class are doing an A5 size Zine which means that they can quite easily print on A4 and then fold it in half. I like a challenge… haha

With the subject of my Zine being Smoking, I have taken an Anti-Smoking voice due to my personal views. However, the brief required creating a narrative style so I have kind of divided 4 different sections in my Zine:
1. Starting smoking – the appealing factors
2. Realising the downsides
3. How it feels to quit/ Life post-smoking
and 4. My negative views on smoking.

I photocopied a selection of my page ideas to create the first draft of my Zine and arranged them into a Zine form…

To help get my head around printing the final thing, I’ve made a dummy copy Zine with page numbers…

…and drawn a layout grid so I just need to add the thumbnails of the pages and make sure I’ve got the right mix of pages and also in the right order! Keepin’ it simple! :)

I’ve also chosen my paper stock! On Thursday we had progress feedback sessions with the tutors and the points suggested by Chris included using more imagery & faces, having a proper ending, showing the difference between my voice & the smokers’ voices and to add some colour. I think that the best way to add some colour is to use coloured paper because I want to keep my type-llustrations simply black.

I have chosen a light yellow (due to the title of my Zine – Yellow Fingers – and also because it’s the kind of colour smoker’s teeth and nails go!) and a light grey (because it reminds me of the ash left by cigarettes) but I think I will still use some white paper too.

My Zine is going to end up being quite thick (48 sides in total) so I think I will be just sticking to a simple binding method like saddle stitch just to avoid anything going wrong! Haha

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Filed under BA (Hons) Graphic Design, Book Making, Graphic Design, Illustration, Sketchbook, Typography, University, University of Lincoln

Why do printers hate me so?

Can I be a Graphic Designer if printers hate me?

On Tuesday, after about 2 hours trying to set the document up correctly, I sent an A0 length document (Magazine spread finals belonging to Helen and myself) to the plotter printer (with help from a 3rd year) and this is what happened….

I am half smiling here but in fact, i wanted to cry…  Lesson of the day – don’t use the plotter.

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Filed under BA (Hons) Graphic Design, Graphic Design, Magazine Design, Me, University, University of Lincoln